My design practice finds direction in the unavoidable and persistent patterns of textile degradation. I draw inspiration in materiality, aesthetics, and functionality from historical textile artefacts and my technical studies in conservation science. I use design to understand the construction-destruction cycles of textiles, to inform design solutions with the ability to modify or postpone degradation pathways.
Through my training at RMIT (AU), I honed my skills in a diverse range of printing techniques—screen printing, digital printing, and traditional methods such as monoprinting, cyanotype, marbling, linocut, and resist. My fascination with colourand dye inspired me to pursue studies in chemistry at UNSW (AU), where I could cultivate a holistic understanding of materials, integrating a scientific perspective to my design background.
I am currently engaged in innovative research that sits at the intersection of scientific inquiry and artistic practice—conservation science. Having recently completed a Master degree in Conservation Science from the University of Bologna (IT), I am dedicated to exploring new methodologies and approaches that enhance our understanding of materials and their preservation.
I am passionate about forging connections between the worlds of conservation, science, and design, using my work as a platform for dialogue and collaboration. I’m interested in reimagining the future of textiles through sustainable and innovative design practices. Collaborations are welcomed.